Wednesday, June 8, 2011

Sony's small Alpha NEX-C3 (hands-on)

CNET - In August, Sony plans to replace its Alpha NEX-3 interchangeable-lens camera with the smaller, but not tremendously different, NEX-C3. Now in its second generation, the NEX line has proven to be popular; I generally liked the NEX-5 (we never reviewed the NEX-3) thanks to excellent photo quality and an attractive, compact design, though I still think the line is a bit expensive for people seeking to upgrade from a point and shoot. Sony also announced a replacement model in its SLT lineup, the Alpha SLT-A35.


Overall, I enjoy shooting with the NEX-C3. It's thinner than its predecessor, with the same width and height, but because anything other than a small prime lens tends to overwhelm the tiny body, you generally have to hold the camera in your left hand under the lens. Because it's so narrow, it's a bit difficult to hold and shoot single handed, despite the small grip.

Sony didn't, um, overwhelm the C3 with new features. There's a new Photo Creativity interface in its intelligent auto mode, which provides friendlier ways of accessing advanced settings, such as background defocus, color vividness, and brightness, that we've seen in a lot of cameras.

Sony also adds Picture Effects, with the same sort of filters we're used to seeing from other cameras, including selective-color R, Y, G or B; toy camera (vignetting); and posterizing, pop art (vivid color), and retro (faded). You can layer the effects together before shooting, which is nice, but you can't adjust the quality or intensity of the effects like you can with Olympus' models, and I found the results rather ho-hum. It also pulls in the Soft Skin effect from the Cybershots.
Since I've always found the NEX interface a bit cumbersome and too menu-driven, I was pleased to see that Sony had added the ability to customize the buttons for quicker access to settings like ISO sensitivity, metering mode, and autofocus mode. To me, that makes a huge difference in usability. And Sony makes a tweak that addresses one of my pet peeves about cameras: when a setting is grayed out, it never tells you why. With the C3, you select it and up pops an explanation. The camera also adds peaking (edge highlighting), which makes manual focusing a lot easier. This next generation still doesn't have a built-in flash, but it ships with the same small add-on flash that uses the proprietary connector. The add-on microphone uses the same connector, but there's still no add-on EVF.

Additionally, it retains almost all the features of its predecessor, including multishot modes like Auto HDR, Handheld Twilight, and Sweep panorama. The most notable change here is the video support; it actually drops to 720p MPEG-4 recording from the NEX-3's faux HD of 1,440x1,080 pixels. That doesn't bother me so much. The video quality is fine for typical consumer recording, although the continuous autofocus gets distracted a little more than I like during capture.

Here's how the C3 compares with its competitors and predecessors